Joon Kim records and reconstructs sounds that emerge at the boundaries between urban environments and the natural world. From the Han River and Euljiro to the DMZ, he collects soundscapes from sites where development, regeneration, and tension coexist. Through these sonic and visual layers, he reveals the invisible dimensions of environments shaped by the accumulation of time and human traces. His recent exploration expands into vast ecological terrains, including the rock formations of New Zealand and the forests of Australia. Furthermore, he traces the cultural and religious soundscapes formed within geographically distinct and volcanically active environments. In his work, sound transcends auditory experience, presenting itself as a complex structure where geology, ecology, and human existence intersect.

Hyung Jin Park shifts away from a human-centric gaze to focus on the ever-changing colors and subtle movements of nature. Through daily observation and drawing, she captures the delicate energy of her subjects and meticulously anchors them onto the artificial coordinates of a grid. Her process is not a mere reproduction of landscape but a synesthetic recording of how natural time is translated into a spatial realm. The dense dots of color and vibrant circles represent layers of time and the "knowing" she has quietly accumulated. These fragmented records, such as the traces on an insect-eaten leaf, reveal the essence of life that can never exist in isolation. Through this intricate visual language, she suggests that we all stand together, leaning on one another within the relentless flow of time.

Hanna Chang departs from a human perspective of superiority or remorse, positioning nature itself as the active agent. Wind, waves, and evolutionary mechanisms operate by utilizing human-made artifacts and pollutants as their raw materials to reconstruct the environment. The artist observes and documents how nature processes and circulates the artificial through various media, including specimens, drawings, and installations. She captures nature’s indifferent yet profound operations, which integrate the man-made into the ecosystem without specific intent or human justification. Within her work, the long-held belief that humans stand outside of nature begins to dissolve and blur. Faced with this "New Landscape," viewers find themselves standing in the very midst of nature’s vast and relentless cyclic operations.